Author: eidolonfilms

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What We’re Shooting With: Sony FS7

As a small production company specializing in authentic storytelling with real people, the equipment we purchase needs to work in a very specific way. Namely, it cannot get in they way of gaining access and intimacy with the people we film. This presents some unique challenges when selecting a camera package. It can’t be too large or cumbersome to set up, lest we miss an important moment or the subjects of our films get intimidated by a huge camera. Many filmmakers have successfully shot intimate stories with larger cameras, but we’ve found that we work much quicker, quieter and closer when our camera system is as unobtrusive as possible. Enter the Sony FS7.

Preying in Church
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Y se acabò! / And that’s a wrap!

Christmas Eve in Donaciano Ojeda was an affair I couldn’t quite picture when Aristeo and Leucadia first insisted we come to film it. I knew there would be fireworks, food and music. But in a small community with little resources, I couldn’t imagine how grand it would turn out to be. As I watched the spectacle of fireworks spin at the top of the castillo, a 40-foot tower of hand-rigged explosives, I felt this overwhelming resolution: Life goes on, and it’s all going to be okay.

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Small Actions Make a Big Impact

A nondescript northern Virginia rest stop seems like an unlikely place to help bring back the monarch butterfly. But that’s exactly what’s been happening at mile marker 155 on I-95. For the past two years, VDOT has planted upwards of 9,000 native plants and milkweed to help the monarch on its migratory route through the area.

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ITVS Provides Major Funding Support for “The Guardians”

We are excited and proud to announce that the Independent Television Service (ITVS) has granted major funding support for The Guardians. The funds will allow us to complete both production and post-production on the film, which we’ve been working on since the beginning of 2014. ITVS is an ideal co-production partner for The Guardians because of its mission to fund independent films that bring underrepresented stories to public television audiences.

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Buy Photo Prints from Our Collection

Through our work, we’ve been lucky enough to visit some of the most beautiful and amazing spots on the planet. I’ve tried to capture my sense of wonder, awe and inspiration through photography, whether it be images of elephants crossing the Maasai Mara, a tranquil bamboo forest in Kyoto, or prayer flags flapping in the Himalayan winds. Now I’ve made my favorite images available for sale.

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4 Ways To Find & Know “Your People”

Lately there seems to be a mad rush for visual content; the more the better. As a creator, I can’t help but celebrate the increasing appreciation for visual stories. But the glut of content that’s feeding this insatiable desire is also creating a lot of white noise that’s hard to break through. The solution? Certainly stronger, more visual stories. But also finding and understanding your audience. Who are the people that are going to engage with your content and take the actions necessary to advance your mission? Below are some ways to find and know them:

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Casting for Nonprofit Video

Think back to your favorite stories, what you remember and love about them most. In Winnie-the-Pooh, I fondly recall Pooh’s naivety and Eeyore’s persistent pessimism. As a pair, they were charming antidotes for the other’s limitations. Quirkiness and the exposure of fatal flaws are what make great on-screen moments, but it’s really action that makes character come alive. What decisions do the characters make at moments of trial that reveal something about who they are? Perhaps it even reveals something about ourselves? If you can achieve both, you’ve achieved storytelling gold. And that’s what effective nonprofit videos are all about. Below are the questions you should ask when casting good characters for your non-profit video production:

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The Lungs of the World

It’s a misty June morning in the mountains of Michoacan, Mexico. A group of men, women and children from the indigenous community of Donaciano Ojeda gather by a veritable mountain of pine saplings, wooden boxes in hand. Tree-carpeted mountains loom behind them, hued more blue than green due to the cast of rain clouds. It was only just yesterday that they’d been given word that reforestation would start at 7am. So they’ve dropped everything to plant up to 60,000 pine and oyamel trees to regrow destroyed areas of the forest.