We’ve been thinking a lot lately about creativity, specifically taking creative risks. As we get older, we become more fearful of taking creative risks while at the same time having more confidence in our creative ability. It’s a strange mindset, but one we’re willing to bet is faced daily by creative professionals.
Sometimes I feel like I have amnesia about how indie shoots have gone in the past. Through rose-colored glasses, I believe that every shoot was a successful endeavor and had gone exactly to plan, when that was not the case at all. This glorified hindsight leads me to crave perfection on my current shoots, causing me anxiety before and after. I wonder frantically: Does this content add to the story? Will it appear random? Does it connect to the characters? Was it shot creatively and was the approach thoughtful enough? Is this the best use of my time? Perhaps T.S. Eliot was really onto something when he said,” anxiety is the hand maven of creativity.”
Our recent travels through Southeast Asia were a sensory overload of colors, sounds, smells, people, and nature we’d never seen before. The compulsion was to immediately turn the camera to every single sight, an urge that slowed as the trip progressed. In fact, our best photos and video were taken towards the end of the trip because our eye for the unique became more discerning. Our growth as storytellers has taken a similar trajectory; we’ve developed better eyes and ears for what is interesting and worth telling and more importantly, which medium is best to tell it. There’s the written word, sound, video images and still images, all mediums we employ as storytellers. Some stories call for all while others may only call for one or two mediums. But how to decide whether a story is worth making into a film or if it’s better as an article or a photo? Below are a few questions I ask myself before I decide to start making a film.